The Glorious Nosebleed


Hamlet, 1920.  Dir. Svend Gade.



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伊藤 潤二



The rhetorical cul-de-sac where white hate went—in goes racism, out comes political incorrectness. Use of this phrase is a tactic designed to derail discourse by disguising racism as defiance of far-left, pseudo-Communist attempts at enforcing behavior and speech codes. However, vicious, brainless, knee-jerk, or crudely racist a sentiment may be, once it is repackaged as merely “un-PC” it become heroic, brave, free-thinking, and best of all, victimized.
-Debra Dickerson

The rhetorical cul-de-sac where white hate went—in goes racism, out comes political incorrectness. Use of this phrase is a tactic designed to derail discourse by disguising racism as defiance of far-left, pseudo-Communist attempts at enforcing behavior and speech codes. However, vicious, brainless, knee-jerk, or crudely racist a sentiment may be, once it is repackaged as merely “un-PC” it become heroic, brave, free-thinking, and best of all, victimized.

-Debra Dickerson



 を作成中



bloodthirsty-discussions:

Text: I always had a repulsive need to be something more than human.

 David Bowie



青木ヶ原 樹海 After dark in the suicide forest. 





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